There is sanity at sea level I , 2018, Pair of digital prints on fabric, 8 x 5 feet

There is sanity at sea level I, 2018, Pair of digital prints on fabric, 8 x 5 feet

  There is sanity at sea level II , 2018, Pair of digital prints on fabric, 8 x 5 feet 

There is sanity at sea level II, 2018, Pair of digital prints on fabric, 8 x 5 feet 

  Wandering among objects (ripple tank) I , 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

Wandering among objects (ripple tank) I, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

  Wandering among objects (ripple tank) II , 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

Wandering among objects (ripple tank) II, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

  Cloak yourself in scarlet , 2018, Digital print on aluminum, 28 x 42 inches

Cloak yourself in scarlet, 2018, Digital print on aluminum, 28 x 42 inches

  Monstratsiya archive , 2018, Rolling commercial display rack,  Monstratsii , reference photographs, and glass, 73 x 25 x 34 inches

Monstratsiya archive, 2018, Rolling commercial display rack, Monstratsii, reference photographs, and glass, 73 x 25 x 34 inches

  Undulation (fragmented collage, coupled)  , 2018, Resin-coated fabric prints and black tack, 42 x 26 x 24 inches

Undulation (fragmented collage, coupled) , 2018, Resin-coated fabric prints and black tack, 42 x 26 x 24 inches

  Undulation (Abbott I)  , 2017, Resin-coated fabric print, 36 x 14 x 22 inches

Undulation (Abbott I) , 2017, Resin-coated fabric print, 36 x 14 x 22 inches

  Undulation (loop),  018, Resin-coated fabric prints, cyanotype, and black tack, 15.5 x 10 x 19 inches

Undulation (loop), 018, Resin-coated fabric prints, cyanotype, and black tack, 15.5 x 10 x 19 inches

  Undulation (fragmented collage),  2017, Resin-coated fabric print, 30 x 22 x 7.5 inches

Undulation (fragmented collage), 2017, Resin-coated fabric print, 30 x 22 x 7.5 inches

  Transparent things (light II),  2018, Floor cut, incandescent bulb, pink extension cord, and polycarbonate cover, 16 x 19 inches (variable depth)

Transparent things (light II), 2018, Floor cut, incandescent bulb, pink extension cord, and polycarbonate cover, 16 x 19 inches (variable depth)

  Orchids that had 1st prize,  Taken between 1958-1971,Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

Orchids that had 1st prize, Taken between 1958-1971,Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

  Snake on sand,  Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.002.3.04.5

Snake on sand, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.002.3.04.5

  Orchids that had 1st prize,  Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

Orchids that had 1st prize, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

  Monstratsiya (committee for protection from Louboutin),  2018, Translucent spray paint and glass, 21.25 x 14.75 inches

Monstratsiya (committee for protection from Louboutin), 2018, Translucent spray paint and glass, 21.25 x 14.75 inches

    
  
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        Nine million metric tons ,   2018  , Hanging led light on digitally printed aluminum fixture, chains, and Titanium Dioxide powder  , 18 x 5 x 1.3 feet      

Nine million metric tons2018, Hanging led light on digitally printed aluminum fixture, chains, and Titanium Dioxide powder, 18 x 5 x 1.3 feet

 

  Transparent things (sound) , 2018, Floor cut and plywood cover, 16 x 24.5 inches (variable depth)

Transparent things (sound), 2018, Floor cut and plywood cover, 16 x 24.5 inches (variable depth)

  You are a pale copy , 2018, Titanium dioxide pigment and linseed oil, Dimensions variable

You are a pale copy, 2018, Titanium dioxide pigment and linseed oil, Dimensions variable

  To be a pale copy I , 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy I, 2017, Digital print on fabric, 59.5 x 36 inches

  To be a pale copy I (detail) , 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy I (detail), 2017, Digital print on fabric, 59.5 x 36 inches

  To be a pale copy II , 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy II, 2017, Digital print on fabric, 59.5 x 36 inches

  To be a pale copy III , 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy III, 2017, Digital print on fabric, 59.5 x 36 inches

  Boundary Stone I , 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone I, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

  Boundary Stone II , 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone II, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

  Boundary Stone III , 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone III, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

  Four Acts of Aggression (moment of collapse),  2014, Broken automobile glass and gold leaf, 30 x 10 x 10 inches   

Four Acts of Aggression (moment of collapse), 2014, Broken automobile glass and gold leaf, 30 x 10 x 10 inches

 

  Farewell, Moon Jar,  2015, 1-channel video, 8:18 minutes   

Farewell, Moon Jar, 2015, 1-channel video, 8:18 minutes

 

  Fourteen Square Feet of International Waters (37°30’N 122°48’W)  (installation view), 2015, Mixed media, 48 x 48 inches   

Fourteen Square Feet of International Waters (37°30’N 122°48’W) (installation view), 2015, Mixed media, 48 x 48 inches

 

  Puns Are No Longer Allowed (Satirical Newspapers from Communist Contexts),  2014, Krokodil pin, coca cola hand mirror, hornet pin, Ludas Matyi coin, porcupine quills, needles, stinging nettle powder and stag beetle, 13 x 13 inches

Puns Are No Longer Allowed (Satirical Newspapers from Communist Contexts), 2014, Krokodil pin, coca cola hand mirror, hornet pin, Ludas Matyi coin, porcupine quills, needles, stinging nettle powder and stag beetle, 13 x 13 inches

  Something to Locate Yourself With (5822 mi. from home),  2015, Stone mosaic, 48 x 48 inches   

Something to Locate Yourself With (5822 mi. from home), 2015, Stone mosaic, 48 x 48 inches

 

  Chaise Lounge Adjustment Brackets,  2016, Silver gelatin print on metal   

Chaise Lounge Adjustment Brackets, 2016, Silver gelatin print on metal

 

  Chaise Lounge Adjustment Brackets,  2016, Silver gelatin print on metal   

Chaise Lounge Adjustment Brackets, 2016, Silver gelatin print on metal

 

  Stigmata Structures,  2015, Acrylic on wood and concrete, Dimensions variable   

Stigmata Structures, 2015, Acrylic on wood and concrete, Dimensions variable

 

  Traceries,  2015 ,  Wax, paper and wire, Dimensions variable   

Traceries, 2015, Wax, paper and wire, Dimensions variable

 

  There is sanity at sea level I , 2018, Pair of digital prints on fabric, 8 x 5 feet
  There is sanity at sea level II , 2018, Pair of digital prints on fabric, 8 x 5 feet 
  Wandering among objects (ripple tank) I , 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 
  Wandering among objects (ripple tank) II , 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 
  Cloak yourself in scarlet , 2018, Digital print on aluminum, 28 x 42 inches
  Monstratsiya archive , 2018, Rolling commercial display rack,  Monstratsii , reference photographs, and glass, 73 x 25 x 34 inches
  Undulation (fragmented collage, coupled)  , 2018, Resin-coated fabric prints and black tack, 42 x 26 x 24 inches
  Undulation (Abbott I)  , 2017, Resin-coated fabric print, 36 x 14 x 22 inches
  Undulation (loop),  018, Resin-coated fabric prints, cyanotype, and black tack, 15.5 x 10 x 19 inches
  Undulation (fragmented collage),  2017, Resin-coated fabric print, 30 x 22 x 7.5 inches
  Transparent things (light II),  2018, Floor cut, incandescent bulb, pink extension cord, and polycarbonate cover, 16 x 19 inches (variable depth)
  Orchids that had 1st prize,  Taken between 1958-1971,Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310
  Snake on sand,  Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.002.3.04.5
  Orchids that had 1st prize,  Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310
  Monstratsiya (committee for protection from Louboutin),  2018, Translucent spray paint and glass, 21.25 x 14.75 inches
    
  
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        Nine million metric tons ,   2018  , Hanging led light on digitally printed aluminum fixture, chains, and Titanium Dioxide powder  , 18 x 5 x 1.3 feet      
  Transparent things (sound) , 2018, Floor cut and plywood cover, 16 x 24.5 inches (variable depth)
  You are a pale copy , 2018, Titanium dioxide pigment and linseed oil, Dimensions variable
  To be a pale copy I , 2017, Digital print on fabric, 59.5 x 36 inches
  To be a pale copy I (detail) , 2017, Digital print on fabric, 59.5 x 36 inches
  To be a pale copy II , 2017, Digital print on fabric, 59.5 x 36 inches
  To be a pale copy III , 2017, Digital print on fabric, 59.5 x 36 inches
  Boundary Stone I , 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches
  Boundary Stone II , 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches
  Boundary Stone III , 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches
  Four Acts of Aggression (moment of collapse),  2014, Broken automobile glass and gold leaf, 30 x 10 x 10 inches   
  Farewell, Moon Jar,  2015, 1-channel video, 8:18 minutes   
  Fourteen Square Feet of International Waters (37°30’N 122°48’W)  (installation view), 2015, Mixed media, 48 x 48 inches   
  Puns Are No Longer Allowed (Satirical Newspapers from Communist Contexts),  2014, Krokodil pin, coca cola hand mirror, hornet pin, Ludas Matyi coin, porcupine quills, needles, stinging nettle powder and stag beetle, 13 x 13 inches
  Something to Locate Yourself With (5822 mi. from home),  2015, Stone mosaic, 48 x 48 inches   
  Chaise Lounge Adjustment Brackets,  2016, Silver gelatin print on metal   
  Chaise Lounge Adjustment Brackets,  2016, Silver gelatin print on metal   
  Stigmata Structures,  2015, Acrylic on wood and concrete, Dimensions variable   
  Traceries,  2015 ,  Wax, paper and wire, Dimensions variable   

There is sanity at sea level I, 2018, Pair of digital prints on fabric, 8 x 5 feet

There is sanity at sea level II, 2018, Pair of digital prints on fabric, 8 x 5 feet 

Wandering among objects (ripple tank) I, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

Wandering among objects (ripple tank) II, 2018, Pair of stretched digital prints on fabric, 53.5 x 15 inches 

Cloak yourself in scarlet, 2018, Digital print on aluminum, 28 x 42 inches

Monstratsiya archive, 2018, Rolling commercial display rack, Monstratsii, reference photographs, and glass, 73 x 25 x 34 inches

Undulation (fragmented collage, coupled) , 2018, Resin-coated fabric prints and black tack, 42 x 26 x 24 inches

Undulation (Abbott I) , 2017, Resin-coated fabric print, 36 x 14 x 22 inches

Undulation (loop), 018, Resin-coated fabric prints, cyanotype, and black tack, 15.5 x 10 x 19 inches

Undulation (fragmented collage), 2017, Resin-coated fabric print, 30 x 22 x 7.5 inches

Transparent things (light II), 2018, Floor cut, incandescent bulb, pink extension cord, and polycarbonate cover, 16 x 19 inches (variable depth)

Orchids that had 1st prize, Taken between 1958-1971,Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

Snake on sand, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.002.3.04.5

Orchids that had 1st prize, Taken between 1958-1971, Digitally printed photograph, 4 x 6 inches, Courtesy of the Expatriate Archive Centre; EAC 1.0068.2.11 V310

Monstratsiya (committee for protection from Louboutin), 2018, Translucent spray paint and glass, 21.25 x 14.75 inches

Nine million metric tons2018, Hanging led light on digitally printed aluminum fixture, chains, and Titanium Dioxide powder, 18 x 5 x 1.3 feet

 

Transparent things (sound), 2018, Floor cut and plywood cover, 16 x 24.5 inches (variable depth)

You are a pale copy, 2018, Titanium dioxide pigment and linseed oil, Dimensions variable

To be a pale copy I, 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy I (detail), 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy II, 2017, Digital print on fabric, 59.5 x 36 inches

To be a pale copy III, 2017, Digital print on fabric, 59.5 x 36 inches

Boundary Stone I, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone II, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Boundary Stone III, 2017, Archival inkjet print of scanned fallen stone from the border wall of the Santa Clara Convent, 11.69 x 16.53 inches

Four Acts of Aggression (moment of collapse), 2014, Broken automobile glass and gold leaf, 30 x 10 x 10 inches

 

Farewell, Moon Jar, 2015, 1-channel video, 8:18 minutes

 

Fourteen Square Feet of International Waters (37°30’N 122°48’W) (installation view), 2015, Mixed media, 48 x 48 inches

 

Puns Are No Longer Allowed (Satirical Newspapers from Communist Contexts), 2014, Krokodil pin, coca cola hand mirror, hornet pin, Ludas Matyi coin, porcupine quills, needles, stinging nettle powder and stag beetle, 13 x 13 inches

Something to Locate Yourself With (5822 mi. from home), 2015, Stone mosaic, 48 x 48 inches

 

Chaise Lounge Adjustment Brackets, 2016, Silver gelatin print on metal

 

Chaise Lounge Adjustment Brackets, 2016, Silver gelatin print on metal

 

Stigmata Structures, 2015, Acrylic on wood and concrete, Dimensions variable

 

Traceries, 2015, Wax, paper and wire, Dimensions variable

 

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